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In 1881, three writers and rights activists, Susan B. Anthony, Elizabeth Cady Stanton and Matilda Joslyn Gage, came together to publish the first volume in their groundbreaking History of Woman Suffrage series – a series that eventually went on to fill 5700 pages and lend weight to a movement that changed the course of history for ever. Taking its dedication from the first volume of the History – to the memory of pioneering women whose 'earnest lives and fearless words have been, in the preparation of these pages, a constant inspiration' – this volume collects together four essays that give an insight into the work as a whole, and provide a rounded introduction to the history of women's suffrage on both sides of the Atlantic.
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Jane Austen, one of the nation's most beloved authors, whose face adorns our currency, surely needs no introduction, but while many are familiar with her groundbreaking novels, few have come across her brilliantly funny unfinished novella, Catharine, or The Bower. Written when Austen was only around seventeen, Catharine, or The Bower is a short but important work, as it shows Austen's preoccupation changing from short burlesques to the satirical novels which her name is so inextricably linked with. This edition also contains The Beautiful Cassandra, a very short 'novel in twelve chapters' that maps out a parody of the melodramatic novels of Austen's day – in many ways the prototype for the legacy she left behind.
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Emma / Jane Austen. - [miejsce nieznane] : Renard Press : Legimi, 2025.
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Charlotte Brontë, one of the best known and widely read novelists of the nineteenth century, surely needs no introduction, her Gothic masterpiece Jane Eyre appearing on curricula and book lovers' shelves alike; but few have encountered her unfinished novels and shorter works. The final words to flow from Charlotte Brontë's pen, and published shortly after her death, Emma is a compelling and powerful short work that stands on its own two feet, and leaves the reader to dream where the great writer was headed to next.
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Americanitis / Miles Beard. - [miejsce nieznane] : Renard Press : Legimi, 2024.
Forma i typ
'If you look closely you can still see some tear splotches on these pages, here and there.' Following the death of his wife, Miles, an academic and hypochondriac suffering from acute anxiety, finds himself in need of professional help. Back in his native Scotland from a research trip to the US he conducted in the weeks preceding his wife's death, his therapist encourages him to write a fictionalised version of his life in order to pinpoint the sources of his anxiety. In penning this record of his memories, Miles reveals the complicated double life he has been leading – tortured academic by day, Internet troll hounding people under a pseudonym by night – and unsettling details surrounding the US trip begin to surface. As the narrative progresses, questions build as to what actually happened during the final days of Miles and Sarah's marriage. Americanitis is an extraordinary work that mercilessly blends fact with fiction and leaves the reader scrabbling for truth.
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Oroonoko / Aphra Behn. - [miejsce nieznane] : Renard Press : Legimi, 2021.
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First published in 1688, Oroonoko, or, The Royal Slave is a short, politically charged novella by the Restoration playwright – and spy – Aphra Behn, and is arguably one of the founding texts of the novel form. Purporting to chart the life of an African prince, Oroonoko, who is tricked into slavery and taken to South America, the narrative follows the Prince through his trials of love, loss and rebellion. Vying for the title of the first English novel – and certainly the first to be read as an indictment of the treatment of Africans – Oroonoko has all the hallmarks of Behn's stage works, which are widely considered to be amongst the most important of the Restoration period.
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The Rover / Aphra Behn. - [miejsce nieznane] : Renard Press : Legimi, 2021.
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The Rover, or, The Banished Cavaliers is the most popular play by the Restoration playwright (and spy) Aphra Behn, first performed in 1677. Although Behn's work as a spy for Charles II came to a sudden end with a spell in debtor's prison, she was a stout Royalist, and the title refers to Charles' supporters, who were living in exile on the Continent. In the tradition of Restoration comedy, the play follows the wild exploits of a group of English gentlemen in Naples at Carnival time, although many of the tropes of the genre are subverted to an extent which sent shockwaves through the theatre world. Behn's infamous libertine Willmore was an instant hit, and The Rover catapulted her to overnight fame, and brought her an income from the box office, making her one of the first women to earn a living by their pen.
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In 1878 Gustave Flaubert looked on in horror as his publisher picked up a manuscript from the mysterious stage actress Sarah Bernhardt and published it in place of a new edition of his latest work, and watched it go on to become an instant bestseller, achieving international fame. Narrated by a chair in a hot-air balloon, In the Clouds is a light-hearted, humorous tale that follows a character reminiscent of Bernhardt through the skies above Paris. Sadly the story sunk into obscurity, lying out of print in the English language for much of the twentieth century. Featuring the original illustrations by Georges Clairin, and in a fresh edit of the first English translation, this edition seeks to bring the tale to a new generation of readers.
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Women and Love / Miriam Burke. - [miejsce nieznane] : Renard Press : Legimi, 2022.
Forma i typ
'I couldn't sleep that night; our conversation was like a trapped bird flying around inside my head. The next morning, I texted to say I wouldn't be coming back. I lied about having to return to my country to nurse a sick relative. I couldn't bear to see my story mirrored in his eyes, and to see what we never had. I knew he'd understand.' Women and Love is a thought-provoking collection of seventeen tightly woven tales about the power of love, all its trials and complications, and the shattered lives it can leave in its wake. The stories explore a huge variety of sorts of love surrounding women in wildly differing settings, and features an unforgettable cast including GPs, burglars, inmates, emigrant cleaners, carers, young professionals, and many more. Navigating heavy themes, with a particular focus on LGBTQ+ experiences, including gender dysphoria and searching for a sperm donor, the stories leave the reader burning with indignation, full of empathy and wonder.
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'He drew a long sigh of rich content. The old life, with all its bitterness and useless antagonism and flimsy sophistries, its brief delights that were always tinged with fear and distrust and unfaith, that whole miserable, futile, swindled world of Bohemia seemed immeasurably distant and far away, like a dream that is over and done.' First published in 1896, The Burglar's Christmas is a short story by the great American writer Willa Cather. Set in Chicago on a cold Christmas Eve, the down-and-out Crawford learns the value of forgiveness.
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The Busybody is the most popular comedy by the eighteenth-century playwright Susanna Centlivre. The play centres on two couples trying to form a relationship against the wills of their guardians, and in a battle of wits, playing with many conventions from theatre traditions across the continent, a conclusion is eventually reached. Like her predecessor Aphra Behn, Centlivre was immensely successful in her day, drawing huge crowds to extended runs of her numerous plays, but the stabbing male pens of the nineteenth and twentieth centuries decried her work as being louche and dangerous, and her name slowly sunk into obscurity. This edition, published with William Hazlitt's prefatory note and extra material on Centlivre's life and writing, seeks to highlight the dexterity with which she took on the stage.
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Eighteenth-century poetry was dominated by men of education and wealth, and bookcases sagged under the weight of volumes by Swift, Johnson and Pope. When Stephen Duck's The Thresher's Labour was published in 1730, however, it was a sensation – highlighting the plight of the working class in verse was hereto simply unthought of. Duck's poem came to the attention of Mary Collier, a washerwoman working in Hampshire, who was astounded to read Duck's dismissal of women as work-shy layabouts who indulged in 'noisy prattle', and she penned a stinging riposte, The Woman's Labour, which reframed Duck's relation of harvest-time toil from a woman's perspective. This edition of The Woman's Labour seeks to give a wider view of the conversation, and includes The Thresher's Labour, 'The Three Wise Sentences' (which Collier included in the first publication of her reply), 'An Epistolary Answer to an Exciseman Who Doubted Her Being the Author' and the elegy she wrote for Stephen Duck after he died.
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Engaged / W.S. Gilbert. - [miejsce nieznane] : Renard Press : Legimi, 2021.
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Engaged, W.S. Gilbert's most popular stage work after the comic operas he produced in collaboration with Arthur Sullivan, is a farcical comedy that has long lived in the literary shadows – although wildly neglected today, the play influenced literary names as great as George Bernard Shaw, and directly inspired Wilde's The Importance of Being Earnest. Centring on a rich young man's search for a wife and his uncle and best friend's attempts to hinder him, the play toys with conventional notions of love and sincerity. In this edition, which also contains notes and an essay by the undisputed authority on W.S. Gilbert, Andrew Crowther, Engaged deserves to step out into the spotlight once more.
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In 1892 a furious Charlotte Perkins Gilman put pen to paper and created the avant-garde feminist work The Yellow Wallpaper as a warning – in this haunting Gothic tale, a woman is confined to a room and forbidden to do anything interesting – and she loses her mind. In 1887, following a severe nervous breakdown, Gilman had been sent to a leading neurologist, she explains in 'Why I Wrote The Yellow Wallpaper', also included in this volume. He was a 'wise man' who 'put me to bed and applied the rest cure… and sent me home with solemn advice to "live as domestic a life as far as possible"… and "never to touch pen, brush or pencil again" as long as I lived. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.' The Yellow Wallpaper is both a haunting illustration of the treatment of mental health and a chilling Gothic tale, and this new edition makes it ready to enchant another generation of readers.
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Adam's Breed / Radclyffe Hall. - [miejsce nieznane] : Renard Press : Legimi, 2023.
Gian-Luca has a rocky start in life, his mother dying in childbirth, his father unknown, and he is sent to grow up with his grandparents amongst an Italian immigrant community on Old Compton Street. He becomes a waiter, where he learns the value of hard work, and soon lands a promotion to head waiter in a fine-dining restaurant. He excels in this position, and it is not long before he meets Maddelena, to whom he gets married. It seems he has found a happy ending. However, despite his marriage to Maddelena and his achievements in his work, he finds he is not happy, after all. Life loses its joy, and he comes to despise those he serves in the restaurant, seeing in the diners the ugly side of society. Disconsolate, he sets out to seek a more fulfilling life, and becomes a hermit, trying to reconnect with nature, and hoping to find peace outside of society. Despite winning awards upon its publication, Adam's Breed sank into obscurity following the censorship of Hall's later novel The Well of Loneliness. An early example of immigrant narratives, yet still relevant today, it is time Gian-Luca's stirring tale found its way back to the canon.
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Fantomina / Eliza Haywood. - [miejsce nieznane] : Renard Press : Legimi, 2021.
Fantomina, or, Love in a Maze is a novella by Eliza Haywood which charts an unnamed female protagonist's pursuit of the charming, shallow Beauplaisir. Dealing with major themes such as identity, class and sexual desire, and first published in 1725, 'Fantomina' subverts the popular 'persecuted maiden' narrative, and reaches a climax which would have shocked its contemporary readership. Moving to London, a young woman – let's call her Fantomina – meets a dashing man at the theatre. After a short, but intense, fling, Beauplaisir grows bored of Fantomina, and leaves her. Outraged that she should be so treated, Fantomina discards her disguise in favour of another, and sets off in hot pursuit of her victim, and a game of cat and mouse begins. This edition features an introduction by Dr Sarah R. Creel, Bethany E. Qualls and Dr Anna K. Sagal of the International Eliza Haywood Society.
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This Good Book / Iain Hood. - [miejsce nieznane] : Renard Press : Legimi, 2021.
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'Sometimes I wonder, if I had known that it was going to take me fourteen years to paint this painting of the Crucifixion with Douglas as Jesus, and what it would take for me to paint this painting, would I have been as happy as I was then?' Susan Alison MacLeod, a Glasgow School of Art graduate with a dark sense of humour, first lays eyes on Douglas MacDougal at a party in 1988, and resolves to put him on the cross in the Crucifixion painting she's been sketching out, but her desire to create 'good' art and a powerful, beautiful portrayal means that a final painting doesn't see the light of day for fourteen years. Over the same years, Douglas's ever-more elaborately designed urine-based installations bring him increasing fame, prizes and commissions, while his modelling for Susan Alison, who continues to work pain and suffering on to the canvas, takes place mostly in the shadows. This Good Book is a wickedly funny, brilliantly observed novel that spins the moral compass and plays with notions of creating art.
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'We were ushered into this banqueting scene with the sound of minstrelsy, the old harper being seated on a stool beside the fireplace and twanging his instrument with a vast deal more power than melody. Never did Christmas board display a more goodly and gracious assemblage of countenances.' First published in 1820 in Irving's masterpiece, The Sketch Book, The Christmas Dinner is a charming tale by the great American writer behind such timeless classics as The Legend of Sleepy Hollow and Rip Van Winkle. Painting the scene of a Christmas dinner spent at the table of Bracebridge Hall, a countryside manor, the merry songs and stories of the dinner table echo with jollity of Christmases long past.
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Stephen Leacock is an unjustly neglected master of the short-story genre, once considered the best-known humorist in the world. Although he was a prolific writer, producing about fifty novels, biographies and histories, he was best known for his humorous articles and short stories in magazines. One of his later collections, Frenzied Fiction shows a master of a genre at the height of his game, and contains all the hallmarks of his earlier work and the trademark wit which he had refined over the previous decades. By turns laugh-aloud hilarious and poignant, and containing such gems as 'My Recollections as a Spy' and 'Simple Stories of Success, or How to Succeed in Life', this collection builds a strong case against prohibition, paints a moving picture of a war-torn world, caricatures and lampoons novelists, actors and princes, and demonstrates why he met with such success and stacked a fan base with figures as varied as John Lane, A.P. Herbert and Groucho Marx.
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Waiting for Music is the fifth collection of poetry from the acclaimed writer Simon Mundy. A great champion of the arts, his relationships with musicians, visual artists and dancers are the main driving force behind his poetry, and this book sets out a playlist that stems from music, visual art and dance – from Brahms' late piano works to a scene for soprano and dancers, written to be set by Roxanna Panufnik, that was inspired by a 16th century picture in the National Gallery. Published after a year spent waiting for music to appear on our landscape once more, Waiting for Music collects the voices of an array of composers, cultures and forms, set against backdrops ranging from Valparaiso to the Veneto, and celebrates the sounds and stages that have been missing from our lives this silent year.
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'Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.' George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Decline of the English Murder, the tenth in the Orwell's Essays series, Orwell considers the sorts of murders are portrayed in the media, and why exactly people like to read about them. Expounding on his findings in the accompanying essay, titled in full The Ethics of the Detective Story from Raffles to Miss Blandish, Orwell broadens his focus to 'true crime' and realism in fictional murders – a genre that thrives to this day.
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